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OnlySubs: A Treatise on Kayfabe

  • April 13, 2022
  • James Lindsay
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OnlySubs Episode 89: A Treatise on Kayfabe is now available exclusively for New Discourses contributors on the following platforms:
Facebook
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YouTube Members

Kayfabe is an interesting concept. It’s easiest to explain by saying that it’s the phenomenon in what Americans refer to as professional wrestling, a dramatic spectacle involving wrestling techniques but that’s completely scripted (indeed, it’s like a testosterone-driven soap opera). In that arena, both the performers and a significant percentage of the audience know what’s happening is a scripted performance, but they dutifully play their parts in pretending it’s real for the sake of the spectacle. There’s something more to kayfabe, though, that makes it uniquely palatable and important in the postmodern era of hyperreality we find ourselves in, and that’s that in kayfabe, you’re always playing two parts at once, playing to two audiences (or two sides of the same audience) at the same time. These are the one that knows it’s fake and those who don’t (or who are suspending disbelief for the sake of the show). This phenomenon generalizes to politics, wherein much of the audience isn’t in on the joke. In this episode of my contributors-only podcast, James Lindsay OnlySubs, I give a short treatise on political kayfabe and why it is so vital to understand, if not utilize, in the present postmodern political environment. Join me and check it out, brother!

Additional episodes of OnlySubs can be found here.

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James Lindsay

An American-born author, mathematician, and professional troublemaker, Dr. James Lindsay has written six books spanning a range of subjects including religion, the philosophy of science and postmodern theory. He is a leading expert on Critical Race Theory, which leads him to reject it completely. He is the founder of New Discourses and currently promoting his new book "Cynical Theories: How Activist Scholarship Made Everything about Race, Gender, and Identity―and Why This Harms Everybody," which is currently being translated into more than fifteen languages.

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